Charles Weed Returns to Roma in 2018! –
/0 Comments/in News, Workshops/by StefThe Rome Apprenticeship with Charles Weed: we are delighted to announce that Charles Weed will return to Rome in 2018 to conduct a new kind of ongoing, oil painting workshop. For four days every two months, Charles will work with students who wish to develop beyond the techniques of direct painting and into the realm of building an oil painting over time.
For any painter interested in enriching his or her education, this is a golden opportunity not to be missed!
For all the details, please visit The Rome Apprenticeship with Charles Weed page.
The Continuity of Light and the Criteria to Capture It: A Review of the Workshop with Charles Weed
/0 Comments/in News, Student Stories and Galleries, Workshops/by Timothy AllenFrom Wednesday, May 3rd to Saturday, May 6th, 2017, PADASOR was very proud to host an international group from Finland, France and Rome for an intensive oil-painting workshop with the American painter, Charles Weed, that focused on the still-life (skulls and shells) and the portrait. With plenty of enthusiasm and good humor to go around, it was a great pleasure (and luxury) to work diligently from 10:30 to 18:00 for four days straight. Never a surprise, though no less disappointing, when such quality time quickly comes to an end.
I’m sure the take-away for each was unique to her temperament, but allow me to share what I thought to be the principle lessons:
- Start with a palette that puts color temperature immediately in play.
- Make strong statements: don’t let ambiguity compromise your ability to evaluate the precision of your drawing.
- Look for the big shapes/planes of light; don’t let halftones compromise their integrity.
- Carefully consider how the surroundings are affected by that same light source; be aware how the management of those surroundings and their edges with the planes of light affect the continuity of light in the painting.
- Find shadows by building the surrounding lights (as opposed to making the shadows darker–like furrowed brows, darks under eyes, lines under cheeks, etc.).
- Keep the key high; you can easily darken over time.
My thanks to all participants: Paivi, Lisa, Antonella, Joëlle, Mary Ellen and Ludovica. Photos below of the group and the incredible development of each of the paintings.
Finally, speaking as a figurative painter and educator, Charles Weed is one of the finest I know on both accounts. The empirical reasoning and straight-forward specificity of his teachings brings to mind a quote I am rather fond of by the writer David Mitchell: the tighter the straight jacket, the more spectacular the escape, which is essentially a succinct and clever argument for the necessity of rules in art. I am convinced that without rules, there is no craft; without craft, there is no art. Or, as Charles might say, there is no thingyness. (Trust me: it’s more profound than it sounds.)
In essence, Charles is very, very good in helping others to see those rules.
Thank you, Charles, for your precious time, infectious passion, and generous friendship. Until the next time, a toast to the shifty Mississippi and old leather suitcases.
Timothy Allen
Founder and Director
The Painting and Drawing Art Studio of Rome
Review of Rocca Calascio, 2015
/0 Comments/in En Plein Air, Student Stories and Galleries, TJA Students, Workshops/by tjaOur second trip in three years to Rocca Calascio was another mix of great company, the cucina divina of Abruzzo, sublime vistas and the gracious hospitality of all at the Rifugio della Rocca.
My sincere thanks to: Ludovica, Roberto, Daniela, Spass, Victoria, Kristin, James, Ruby, Mo and Oliver!
Pictures and video below.
Cheers,
Tim
PADASOR’s First Painting Workshop in Washington, D.C.
/0 Comments/in Student Stories and Galleries, TJA Students, Workshops/by tjaThe hit of the summer was the painting workshop that took place over two days this past August in Georgetown. Masterfully organized by Maureen Murphy, the venue and on-site location were perfect and the audience couldn’t have been more enthusiastic and gracious. My sincere thanks to all who participated: Maureen, Sharmila, Anne, Loraine and the model Carol. A special thanks again to Maureen for all she did to put it together. Let’s do it again!
Painting alla Prima at Rocca Calascio 2013
/0 Comments/in En Plein Air, Student Stories and Galleries, TJA Students, Videos, Workshops/by tjaPainting Workshop: Portraits in the Landscape
/in Workshops/by tjaJoin me for two afternoons in on the Gianicolo in Rome (photo above) for oil painting alla prima. The subject? The newly restored busts and the view of Rome! In particular, I’ll discuss composition, paint opacity and the development of meaning through formal considerations.
When
Saturday, July 2nd and Sunday, July 3rd, 16:00 – 20:00.
Where
Gianicolo in front of the Statue of Garibaldi.
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Cost
€160 for the two days (8 hours).
Participants
Minimum: 4 – Maximum: 12
Materials
- – French Easel;
- – Oil Paints;
- – Walnut Oil (medium)
- – Brushes;
- – Canvas or a canvas stretched over a board at least 30 cm x 60 cm;
- – Wet wipes – great for cleaning brushes and hands!
- – A hat;
- – An umbrella (for rain or shade!);
You do not need to pay in advance, but you do need to RSVP using the form below. Please do so by Thursday, June 30th.
Also, be sure to look at the drawing workshop I’ll run June 18 and 19…
Look forward to seeing you on-site!
Cheers,
Tim
Drawing Workshop: Ambitious Landscapes
/in En Plein Air, Workshops/by tjaJoin me for two afternoons in Monte Mario park (photo above) for landscape drawing with Conté crayon on colored paper. In addition, we’ll also explore ways our landscape drawings might serve our vocabulary for future paintings.
When
Saturday, July 18th and Sunday, July 19th, 16:00 – 20:00
Where
Bar Zodiaco, Monte Mario.
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Cost
€160 for the two days (8 hours); materials included. However, you do need to bring the following:
- – French Easel;
- – A drawing board or a piece of cardboard at least 30 cm x 60 cm;
- – Wet wipes – great for cleaning brushes and hands!
- – A hat;
- – An umbrella (for rain or shade!).
Participants
Minimum: 4 – Maximum: 12
You do not need to pay in advance, but you do need to RSVP using the form below. Please do so by Thursday, July 16th. I’ll need at least 4 people to run this, maximum 12.
Also, be sure to look at the painting workshop I’ll run July 2nd and 3rd…
Look forward to seeing you on-site!
Cheers,
Tim
Latest News from A.P.S. PADASOR
- Learning to Draw and Paint: an Educational Odyssey August 24, 2023
- Painting the Self-Portrait with Nick Chaundy: Mirrors and Magic August 17, 2023
- Intensive Workshop with Charles Weed: April 24 – 28, 2023 January 8, 2023
- Chariots in the Sky: Leonid Ilyukhin Presented the Development of his Ceiling Painting in Villa Falconieri November 18, 2022
- The Art of the Finish: from Theory to Practice September 22, 2022
- PADASOR in Romeing Magazine July 1, 2022
- Caravaggio and ‘Cabinet Making’ April 16, 2022
- Presenting PADASOR: the New Online Atelier of the Painting and Drawing Art Studio of Rome January 20, 2021
- Learn Oil Painting Online with Interactive Lessons May 5, 2020
Register for Upcoming Courses
Learn Online – Recent Courses
- Course Preview – The Art of the Finish: from Theory to Practice August 19, 2022
- Course Preview – Examining Velázquez: a Painting Expedition December 26, 2021
- Past Masters Annotated: Rembrandt August 24, 2021
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- Umbrian Rain Clouds March 15, 2024
- V and His Mistress in Villa Borghese March 15, 2024
- Sunset Near the Laghetto March 15, 2024
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