Note
Course Archive
June 22 – July 17, 2020
First, a quick word on what you will NOT be doing during this course:
You will not be painting an image of the live model from your computer screen.
Instead, you will have three options:
Second, unlike past courses, where I had a morning session and an evening session that followed two different subjects/paintings, this course has been designed to combine the two so that I may demonstrate longer development on one painting rather than make two different paintings.
What does this mean?
This means that the evening class will have access to the morning class videos (and vice-versa) and each group is encouraged to watch the video of the previous lesson prior to the next lesson in order to follow along.
The total 21 learning hours are broken down as follows for each group:
Schedule
The first session for the evening schedule will start June 22; the first session for the morning schedule will start June 24.
The Final Critique for both schedules will be on July 17th.
Depending upon which schedule you choose (morning or evening), the full schedule is presented on the right (or below, if you are on your smart phone or tablet).
Please review the dates and times carefully. In order to offer 5 live sessions per group, I had to coordinate with the model and juggle the dates and times.
Please note: The times listed are the local Rome times, GMT+1
Cost
Morning Schedule / Orange Group
€160 + IVA (€195.20)
Level: All levels (Beginner, Intermediate and Advanced)
Maximum 10 participants
Evening Schedule / Blue Group
€160 + IVA (€195.20)
Level: All levels (Beginner, Intermediate and Advanced)
Maximum 10 participants
Please note: The times listed are the local Rome times, GMT+1
Live Zoom session with the model
11:15 – 12:45
Live Group Critique
11:15 – 12:45
Live Zoom session with the model
11:15 – 12:45
Live Group Critique
11:15 – 12:45
Live Zoom session with the model
11:15 – 12:45
Live Group Critique
11:15 – 12:45
Live Zoom session with the model
11:15 – 12:45
Live Zoom session with the model
11:15 – 12:45
Live Final Group Critique
11:15 – 12:45
Please note: The times listed are the local Rome times, GMT+1
Live Zoom session with the model
17:15 – 18:45
Live Zoom session with the model
17:15 – 18:45
Live Group Critique
17:15 – 18:45
Live Zoom session with the model
17:15 – 18:45
Live Group Critique
17:15 – 18:45
Live Zoom session with the model
17:15 – 18:45
Live Group Critique
17:15 – 18:45
Live Zoom session with the model
NOTE: 18:15 – 19:45
Live Final Group Critique
17:15 – 18:45
Teaching painting online has been a necessity and a revelation. How fortunate we are to live in an age where the technology is advanced enough to enable dynamic interaction. More importantly, how pleased I have been to discover that this format—with live discussions, recorded demos and photos of student progress—facilitates a thorough and effective learning environment.
Wherever you are in the world, I hope you will consider joining me.
Timothy J. Allen
May 3rd, 2020
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The video below shows you two things:
Oil Paints
I use only Michael Harding paints. If you don’t have them and/or can’t get them, use what you can get.
Note: this is not acrylic painting, so acrylic paints are not an acceptable substitute.
Brushes
Try and have an assortment of hog bristle, synthetics and sables of various shapes—flats, filberts and rounds—and various sizes. Small sables are good to have when it is time for precise drawing and details.
If you can, get a brush set. For example, on Jackson’s Art website they have a set of Black Hog bristle brushes and Pro Arte synthetics.
Medium
First you need the oil and the solvent.
For oil, you can use regular linseed oil or walnut oil.
For solvent, I recommend the odorless, non-toxic kind. I use either ‘Tintorsetto’ (which I get at the Rome art shop) or ‘Shelsol-T’ (which I order from Kremer).
Get three ‘jam jars’ and mix the following mediums:
When I do this, I use a double-boiler to heat the medium for about 15 minutes. If you don’t have that, don’t worry. Mix the property quantities, then shake thoroughly.
Other Materials: Canvas, Easel, etc.
As we’ll work 1:1 (meaning the scale of the work is the actual size of the head), use a canvas that is 35 x 45 cm. A life- size head (or an A4 print of the head) will comfortably fit within that frame. Make sure it is linen, prepared with a white ground, either universal or oil.
Ideally you’ll have some kind of easel that you can use to place your canvas next to your model (or the print next to the canvas). If not, do what you can.
If you are doing a self-portrait, make sure you can easily turn your head and look in a mirror.
You’ll also need: